Ink Road is a new young adult imprint of Black & White Publishing, an established Scottish publisher with over 300 books in print across a variety of genres. They do not accept submissions by email or fax. All submissions should be directed to the Editorial Department, Holiday House, 425 Madison Ave., New York, NY 10017. Submissions: Holiday House only responds if they are interested in publishing your manuscript. Please send the entire manuscript. Holiday House specializes in hardcovers, from picture books to young adult, both fiction and nonfiction for ages four and up. Submissions: In addition to a query, and three chapters, Flux requires 3-5 comparative books published within the last 5 years with an explanation of how your book both ties into a trend in the Young Adult genre and offers something unique. Read guidelines here.įlux is an imprint of North Star Editions, a Minnesota-based house specializing in trade fiction. Flux specializes in "alternative voices." The editors believe that young adult novels are a "point of view," not a reading level. Length: Length: 50k to 100k words in length for all genres. Submissions: Manuscripts should feature 16-19 year old protagonists. When releasing simultaneously in print via brick and mortar bookstores, ebook royalties are 20% of cover price. Their royalties are generous. Digital-first releases receive up to 35% of cover price, while print royalties begin at 7.5% of cover price. (They require at least a romantic subplot.) Entangled’s titles are distributed by Macmillan, one of the largest book distributors in the world. Note: See open reading periods.Įntangled Press' young adult imprint, Entangled Teen publishes "swoon-worthy" romance in the following subgenres: contemporary, suspense, sci-fi, historical, paranormal and fantasy. This includes their new digital-first imprint- CTP Pulse. When you submit to Clean Teen Publishing, your title may also be considered for one of their other imprints. Genres that they are specifically seeking include the following: horror, mystery, witches, fortune teller, psychic, magician, historical, escapism.
#PUBLISHERS ACCEPTING UNSOLICITED MANUSCRIPTS 2017 SERIES#
While they accept stand-alone books, their ideal submission would be the first two books in a series or a novel with a novella that is a prequel to the novel. Submissions: They are seeking YA (young adult) or NA (new adult) novels that are between 50,000 and 110,000 words. They don't believe in censorship, but they do want their readers to be informed. Read guidelines here.Ĭlean Teen publishes books that are rated according to violence, language, romance, and drugs/alcohol. Submissions may be sent via email to Please send a detailed plot synopsis, a chapter outline, and three chapters of text. Charlesbridge books are distributed by Penguin Random House. Fiction titles include lively, plot-driven stories with strong, engaging characters.
Note: They will not review any submissions that do not follow their submission guidelines.Ĭharlesbridge Teen is a new imprint of Charlesbridge, a well known Watertown, Mass-based publisher of children's books. They read and review unagented manuscripts and proposals for picture books, middle-grade fiction, and young adult novels. Submissions: Albert Whitman and Company currently has an open submissions policy.
Albert Whitman’s special interest titles address subjects such as disease, bullying, and disabilities. They have since expanded to include YA literature. And YA literature would be pop.)įor over 450 publishers looking for writers - no agent required - see: Publishers Accepting Unagented ManuscriptsĪlbert Whitman & Company has been publishing award-winning children’s books since 1919. (If adult literature were translated into music, it would be classical. YA literature, especially contemporary YA lit, is often humorous, snappy, and less demanding than many books geared to the adult market. Perhaps not surprisingly, adults enjoy reading young adult literature almost as much as teenagers. These themes are the mainstays of young adult literature. Since that dark period in our literary history, young adults (aka teenagers) have gained the power of the purse, and they want to read about themselves - their growing pains, their first forays into sexual (mis)adventure, love, friendship, and struggles with identity. There were children's books and books for adults, but there were no books specifically aimed at teens. Young adult literature did not exist when I was a teenager.
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